I immediately realised why it wasn't such a natural thing to do, because the damn thing is so diffuse and complex. [I wouldn't dream of doing a session which I had narrowed down to "1.d4", even less so if there were vast transpositional possibilities.] Anyhow, here's tuppence-worth:
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"Now I will propose a thesis, the proof of which the reader and I can seek together. It is known that the significance of a single tempo, and thus the significance of development, is greatest in open positions. In closed positions it plays almost no role. Consequently, it would seem to be in White's interest to open the game (without loss of tempo, of course). How can this be achieved? Most likely by exposing and attacking the opponent's strong points. One would expect Black's strongest point in the center to be d5 since, unlike e5, it has natural protection by the queen. Therefore, the ideal initial move is 1. c4, immediately taking aim at d5. Should Black support d5 by l...Nf6, then White reinforces the attack by 2. Nc3. Let's assume that Black answers 2...e5. This weakens d5 and reveals his intention of building his position around e5 by such moves as ...Nc6 and ...d6. (Even with 2...e6 he could not control d5 in the long run.) Now White need not continue attacking d5, which Black abandoned without a fight, by 3. g3 and 4. Bg2. Rather, following the logic given above, White should strike the new bastion e5 by 3. Nf3 and (in reply to 3...d6 or ...Nc6) 4. d4, and he thereby achieves an advantage."
[reprinted in Virginia Chess, Sept/Oct 1993][Jerry Lawson].
It's not much played any more (but may be worth a punt now and then); we are more likely to see the same idea (of playing for a central break and development advantage) in a different setting in the English:
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Black has apparently posted his pieces and Pawns with classical purity, but gets rapidly squashed.
8.d4 Bb6 9.h3 Bf5 {?} 10.d5 Nb8 11.g4 Bd7 12.Ng3 h6 13.Kh2 a5 14.f4 exf4 15.exf4 Nh7
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16.g5 Na6 17.gxh6 Qh4 18.hxg7 Nf6 19.f5 Be3 20.Nce4 {!} 20...Nxe4 21.Nxe4 Bxc1 22.Rxc1 Nc5 23.Qg4 Rxe4 24.Bxe4 Qxg4 25.hxg4 Nxe4 26.Rce1 Nc5 27.f6 Re8 28.Rxe8+ Bxe8 29.Re1 Ba4 30.Re3 (threat Rh3) 1-0
The light squares like d3 in the Staunton system are not so very weak because Black cannot occupy or fix the Pawns. The most obvious way to try is to get a Pawn to e4, but this cannot be sustained:
Shatskes gives:
[8. fxe4 fxe4 9. Nxe4 Nxe4 10. Bxe4 Bb4+ 11. Bd2 Qe7]
8... Bb4 9. O-O Bxc3 10. Nxc3 exf3 11. Qxf3 d6 12. Bd2 Bd7 13. Rae1 Qe8
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I was able to implement these ideas many years ago against Bob Richmond, when after 1. c4 e5 2. Nc3 d6 3. g3 f5 4. d4 e4 5. Nh3 Nf6 6. Bg2 Be7 7. O-O O-O 8. Bg5 c6 9. f3 White had good prospects: Black's centre is under pressure. See also the Keres system, B5a below.
This Staunton approach can lead to some interesting and finely balanced positions. I once got into a real mess against Richard Nash of Barnstable playing this approach...
1. c4 e5 2. g3 g6 3. Bg2 Bg7 4. Nc3 Ne7 5. e3 Nbc6 6. Nge2 d6 7. d4
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7... exd4 8. Nxd4?! An error. 8... O-O 9. O-O Re8
[9... Bd7 10. Nde2 Qc8 11.Nf4 Ne5 12. Qe2 Re8 13. Bd2 c6 14. Ne4 Qc7 15. Bc3 Rad8 16. h3 d5 += smyslov-radulovic 1964]
10. b3 ? 10... Nxd4 11. exd4 Nf5 =+ (...) 40. 1/2-1/2
[Better is
8. exd4! O-O 9. O-O
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9... Nf5 "?" botvinnik "!" ribli
(9 ... Bg4"!" = botvinnik "?" ribli - although there are probably still finesses to be found:
Now if 10. h3 Bxe2 11. Nxe2 Nf5 12. d5 Ne5 13. Qc2 Re8 ( "!" shatskes ) 14. Bd2 a5 15. Rad1 ( "!" ribli ) 15... Qb8 16. Bc1 Qa7 17. Be4 Ne7 18. Be3 Qa6 19. b3 a4 20. Nc3 axb3 21. axb3 b6 22. Nb5 Qc8 23. Kh2 Nd7 24. Rfe1 Nc5 25. Bf3 Nf5 26. Bg4 ! += uhlmann-taimanov 1984]
10. d5 Ne5 11. b3 a5 ?
(11 ... a6; 12 Bb2, b5; 13 cxb5, axb5; 14 Qc2, b4; 15 Ne4, Ba6 botvinnik ; 11 ...b5!? seirawan)
12. Bb2 Nd7 13. a3 Nc5 14. b4 Nd7 15. Qb3 botvinnik-reshevsky 1938]
This is why the English is such a fine opening: there is great flexibility and scope for creativity for each side, which is why old foxes like Viktor Kortchnoi can win from either side.
One last example of a delayed occupation proving effective
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