It depends on what style you prefer to play, and how you like to reply to 1. d4.
1...e5 would suit a 1.e4 player who likes to attack, especially if they play (as White) the Closed Sicilian or (as Black) the Dutch or King's Indian. I think this is the best approach for beginners.
1...c5 would suit a Sicilian player who has the patience for a longer game but doesn't mind drawing occasionally.
1...Nf6 would suit a player who is angling for a version of their favourite Indian defence.
Of the others the most important is 1...e6 (or 1...Nf6, 2...e6), an invitation to transpose into the Queen's Gambit; if Black also plays the Tarrasch Defence it can be hard for White to avoid transposing into it, since the main line of the Tarrasch involves g2-g3!
After 1. c4 c6 2. Nf3 d5 I don't often play 3.cd; rather, after 1. c4 c6 2. Nf3 d5 3. b3, we are in a position that is meat and drink to the English/Reti player. It's not easy for Black to get organised without either taking on a space disadvantage, or going for more space but exposing their centre to attack. It's a solid enough line but a little difficult to handle, and I would push club players and juniors towards more active and counter-attacking lines. The choice that each player has over their set-up reminds me of the old Arabic version of chess, where pre-determined formations (mansubat) could be chosen separately by either side.
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Black can play ...Nf6 and ...d5 immediately (Grunfeld reversed) or try and combine it with an early ...e5 or ...c5. White cannot stop ...d5 on move 2 or 3 so all of these systems are playable:
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1. c4 Nf6 2. Nc3 d5 3. cxd5 Nxd5 (now 4. e4 Nb4 5. Bc4 is a fun line!)
1. c4 Nf6 2. Nc3 e5 3. Nf3 (or 3. g3) 3...d5 4. cxd5 Nxd5 (the Reversed Open Sicilian)
Provided Black is not too ambitious, this can't be a bad idea, but if you know how important a tempo can be to Black in the normal Open Sicilian, it's a good arena in which White can play for a win.
1. c4 Nf6 2. Nc3 c5 3. g3 d5 4. cxd5 Nxd5
This last line can lead to...
1. c4 Nf6 2. Nc3 c5 3. g3 d5 4. cxd5 Nxd5 5. Bg2 Nc7
Black now can hope to arrange ...e5 with a Maroczy Bind.
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Of course, if Black is hoping to equalise first rather than play for an ambitious centre, the systems with ...d5 supported by the c- or e-Pawn offer a serious challenge to White: can White do any better than transpose to a normal Queen's-Pawn opening? The usual bids to retain separate lines of play involve |
1. c4 c5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7
This is the Main Line Closed Symmetrical English. In this position White has tried many plans: Queen's-side attack with 5. a3 or 5. Rb1, Staunton system with 5. e3, Botvinnik system with 5. e4 are all common approaches, and Black has tried each in defence (e.g. 5. e3 e5, Staunton vs. Botvinnik!). Fischer often practiced the Staunton system as Black:
One of the most popular modern systems for Black is the Hedgehog: allowing White the Maroczy bind while retaining a flexible position and angling for a break with ...d5 or ...b5. White's Pawn formation seems to be well-placed to counter these plans, and indeed it is - this is what gives the Maroczy Bind its teeth - but it does not sit totally comfortably with the Bishop on g3. On d3 it would inhibit ...b5 and support f4-f5, while on g3 it certainly discourages ...d5 but White can not as easily find a positive plan.
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 1. c4 e5 2. Nc3 Nf6 3. Nf3 Bb4 1. c4 e5 2. Nc3 Nf6 3. g3 Bb4
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That subtle player Smyslov developed a system 1. c4 e5 2. Nc6 d6 which seeks a useful early development of the other Bishop with ...Bg4 or ...Be6.
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() The equivalent fundamental positions of the King's English occur after: 1. c4 e5 2. Nc3 Nc6 3. g3 g6 4. Bg2 Bg7 (The main line Closed King's English) or
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Again White has a choice of systems. The Staunton approach has a little more sting here than in the Symmetrical. This is of course similar to the Closed Sicilian...
This rich position has many possibilities for each side. We have seen 4. d4 above, which is OK for Black these days...
This and related systems have been featured in World Championship matches.
"Nearly five years ago I started to use the opening system 1. c4 e5. This is quite a good system with which to reach an equal position, but when it had been analysed to death by other GMs I became bored with it and adopted a different system using my own move order. The play has some delicate features I don't fully understand..."
There are several interesting early deviations by Black after 1. c4 e5, including the evil Bellon Gambit, as we see in the example games:
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